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There is nothing you can do. It is illegal to silence the shutter sound in the country where the phone was originally sold. Taking it out of the country does not change anything. You will not be able to silence the camera on that device.
The eye works much the same as a camera. The shutter of a camera can close or open depending upon the amount of light needed to expose the film in the back of the camera. The eye, like the camera shutter, operates in the same way. The iris and the pupil control how much light to let into the back of the eye. When it is very dark, our pupils are very large, letting in more light. The lens of a camera is able to focus on objects far away and up close with the help of mirrors and other mechanical devices. The lens of the eye helps us to focus but sometimes needs some additional help in order to focus clearly. Glasses, contact lenses, and artificial lenses all help us to see more clearly.
Budget laptops can be full of unwanted preinstalled software known as bloatware, but the IdeaPad 3 14 is mercifully light on it. The usual offenders are here: Spotify, Disney Plus, McAfee Antivirus, and Alexa are just some of the apps taking up your precious storage space, but you can simply uninstall them if you don't need them.
The Nikon Z6 is a terrific, well-rounded full-frame mirrorless camera. Basically, there isn't a lot to complain about when it comes to the Z6. The body is compact and robust yet features lots of physical controls and a familiar Nikon design. With excellent overall features, impressive image quality from its 24MP sensor, nimble peformance, fast phase-detect AF, nice build quality, as well as a very competitive price point, the Nikon Z6 is a great all-around package for the serious enthusiast photographer and videographer. And while at this point in time, the Z6 appeals perhaps a bit more towards current Nikon owners, the Z6 is still a compelling camera for anyone looking to jump into the full-frame camera arena.
Nikon made a big splash with respect to its centennial celebration from July of 2017 into 2018. Making it to 100 years is a huge deal for any company, but it's a particularly impressive accomplishment when you consider a camera company achieving the feat. The photography industry has changed radically over the past 100-plus years and Nikon was able to successfully push evolution and survive the advancements of others. Many cameras in its immense catalog continue to tug on the heartstrings of countless photographers and their DSLRs are in the kits of innumerable enthusiasts and professionals. However, times change, and more and more photographers have eschewed DSLRs in favor of mirrorless cameras.
Now, over 100 years into their existence, Nikon is changing with the times yet again, hoping to deliver photographers something rooted in their illustrious past yet very much a camera not only of the mirrorless present, but also of the mirrorless future. Enter the Nikon Z6 and Nikon Z7, Nikon's first cameras in their full-frame mirrorless system.
The first thing you notice with the new Z6 (or Nikon Z 6 as it is officially named), other than it looking identical to the higher-megapixel Z7 (Nikon Z 7), is that it is considerably smaller and more compact than a full-frame Nikon DSLR. The Z6 is 5.3 inches (134 millimeters) wide, 4 inches (100.5 millimeters) tall and 2.7 inches (67.5 millimeters) thick. With a battery and memory card inserted, the camera body weighs one pound, 7.9 ounces (675 grams).
Nikon has established a style, control layout and overall design language over the years and they are not abandoning it. They have taken advantage of the opportunity of a new system to streamline aspects of the camera's design, but they are not reinventing the wheel when it comes to ergonomics, which this longtime Nikon shooter is very thankful for. The Z6 has been designed to be smaller and lighter and yet at the same time very familiar. If you have shot with enthusiast and professional Nikon DSLRs, the Z6 will offer a similar layout. For example, you will still find the ISO button on the top of the camera near the shutter release, you will find the AF-ON button in a similar location and the Z6 continues to rely on the tried-and-true dual command dial interface.
The top of the camera features a locking mode dial to the left of the viewfinder, a standard hot shoe on top of the viewfinder, an OLED top status display, shutter release and a trio of buttons: movie record, ISO and exposure compensation. The Z6 utilizes the same layout as the D500/D5/D850 DSLR cameras, which places all exposure-related controls within reach of your right hand. Regarding the camera's mode dial, it offers a relatively sparse, but pro-oriented, modes. P, A, S and M modes are present, there are three user-customized modes and finally an Auto mode. You won't find any scene modes or special modes on the dial.
One of the biggest (literally) aspects of the new Z mirrorless system is its new lens mount. It's an important part of not only the Z6, but the future of Nikon's new camera system. First, let's alleviate a worry many Nikon shooters are likely to have about a new mirrorless camera. You will be able to use your existing F-mount lenses on the new mirrorless cameras. This is achieved via an FTZ adapter, which was made available alongside the camera. Every F-mount lens can be adapted for use with the Z6, and the adapter allows for full AF and AE compatibility with over 90 existing Nikkor lenses. Further, for all adapted lenses, the Z6's in-camera image stabilization allows for image stabilization. VR lenses are able to utilize their own stabilization and be further aided by the in-camera stabilization of the Z6 for roll axis correction. Nikon notes that Nikkor F-mount lenses may not offer the same level of stability as native Nikkor Z lenses, though.
To help appreciate the new mount, consider that the F mount, which is found on Nikon's latest DSLR cameras, was created in 1959. A lot has changed in camera and lens technology since 1959. The new Z mount is noticeably larger, especially when seen on the smaller Z6 camera body. Precisely, the mount has a 55mm diameter, a full 11mm more than the F mount. Further, the flange distance is a very short 16mm. The F mount's flange distance is 46.5mm. Nikon tells us that with the larger opening and shorter flange distance, the Z mount lets in 100 percent more light than the F mount.
A camera is only as good as the lens you use. Fortunately for Nikon, some of the initial pressure to create new lenses is relieved by their FT-Z adapter, allowing existing Nikon shooters to fully utilize the lenses they already own (although autofocus is not supported with older screw-drive AF Nikkors). For new shooters or for those wanting the latest and greatest for the Nikon Z6, there were a trio of lenses when it launched: the Nikon Z 35mm f/1.8 S, the Nikon Z 50mm f/1.8 S, and the Nikon Z 24-70mm f/4 S which is the new kit lens. These native lenses are smaller, lighter and deliver higher overall performance. The S-Line of lenses are designed for both stills and video recording and include compensation for focus breathing, quiet operation, smooth exposure control and a new control ring. The lenses all feature weather sealing as well.
The Z6's imaging pipeline is centered around a new backside-illuminated 24.5-megapixel CMOS full-frame image sensor. The sensor features built-in focal-plane phase-detection autofocus pixels, and is equipped with an optical low-pass filter (unlike the higher-resolution Z7). The Z6 is designed as an all-purpose FX-format camera compared to the Z7 in part thanks to the Z6's superior high ISO performance and full-width 4K UHD video recording capabilities. Specifically, the Z6 has a native ISO range of 100 to 51,200 and can be extended to ISO 50 to 204,800.
The camera includes AF-S, AF-C and AF-F (this mode is only available during movie recording) autofocus drive modes and includes the following AF-area modes: pinpoint, single-point, dynamic-area AF, wide-area AF (small), wide-area AF (large) and auto-area AF. You can lock focus by either pressing the shutter release halfway or by pressing the center of the subselector joystick. With the conveniently-located AF-ON button you should also be able to use back button autofocus, although that has not been verified. Face detection AF is supported, and touch AF & touch shutter functions (via the touchscreen display) are provided. (Note that firmware version 2.00 adds eye detection AF.)
To ensure fast and accurate autofocus, the Z6 uses an optimized algorithm for full-frame image sensors to automatically switch between focal-plane phase detect autofocus and contrast-detect autofocus. This system is fully-utilized by the new Nikkor Z lenses. Nikon promises fast, quiet and reliable autofocus, which not only benefits stills shooters, but also helps make the Z6 a versatile hybrid camera.
As we have mentioned, the Nikon Z6 comes with a new processor to help provide it with high-speed imaging performance. The EXPEED 6-driven Z6 can shoot full-resolution images at up to 12 frames per second with continuous autofocus (and continuous autoexposure with firmware v2.00) in Continuous H (extended) mode. There is a catch, however, as these speeds do not apply when shooting 14-bit RAW files. When recording 14-bit files, the camera tops out at 9 frames per second. Buffer depths are pretty good, and buffer clearing is quick. See our Performance test results for details.
Mechanical shutter speed range is 30s to 1/8,000s, plus there are bulb and time modes. A Silent Photography mode uses an electronic shutter to eliminate shake and noise caused by shutter release, however the top speed remains 1/8,000s. An electronic front-curtain shutter (EFCS) option is also available, which tops out at 1/2,000s. Firmware version 2.00 adds an Auto shutter mode, which will switch between EFCS and fully mechanical shutter to avoid the effects of shutter shock. 2b1af7f3a8